I recently wrote about painting for the film Loving Vincent in Beshara Magazine. It’s a contemplation on the experience, the nature of animation, van Gogh’s vision, and the mysterious relationship between artist, artwork and beholder.
“To my left, an array of brushes and a careful selection of paint pots; to my right, the computer keyboard and a control for the camera which hangs from the ceiling. Beside the camera sits a projector, casting down a mysterious light. Above, connecting the camera and the projector, the computer monitor displays various images for reference, including rough video footage, photos of van Gogh’s paintings to study the technique and colour, and the live image the camera picks up. Then, directly in front of me, the focal point of this curious little room – the canvas board that will host the magic.
And I wonder: who was this man, Vincent van Gogh . . . “